In the expanding luxury market propelled by affluent consumers in emerging post-communist economies, Lynn’s established reputation for designing leather and fur garments rides the zeitgeist wave of the successful process of merging creativity and profit. Lynn has had a penchant for leather and fur for quite a while, and his latest designs using these materials in shades of beige, black, grey and maroon are no exception. The collection’s repetitive examples of footwear and tailoring (as evidenced in the numerous trousers with draped fabric over pockets, dresses with asymmetric sleeves, and several high-necked, zipped up jackets) contrasted with some original designs that are worth noting. In fact, despite relying on the reiteration of commercially safe designs, Lynn’s talent was at its strongest in the elegant high-top trainers for men, deconstructed garments with pleated fabrics, overcoats fastened diagonally, and stylish zipped high gloves.
Having developed an image as a designer of rock and roll cool garnered over years of making clothes for artists in the music industry, Lynn may see 2011 as the year that marks a turning point in his career. In truth, this is not a collection for the children of the revolution. These are garments for the former rebellious children who have grown and now turn to designers like Lynn for items of clothing that exude luxury and creativity